Today I'm very happy to share with you the very first interview in my new series Coffee Shop Chats with Creatives. (if you missed the introduction to this series you can read it here).
Today I'm talking with my friend Simone Wellbrock (or Mone as we call her, it's German, so pronounce the 'e') about her creative process and the inspiration behind her work. Mone is an artist, student, maker and dear friend. She's also a trustee for the Charity Open Hands, which you can find out more about by going here. You may also recognize her from a few projects we've done together (see here and here). Grab yourself a cuppa and let's dive in, shall we?
Today I'm talking with my friend Simone Wellbrock (or Mone as we call her, it's German, so pronounce the 'e') about her creative process and the inspiration behind her work. Mone is an artist, student, maker and dear friend. She's also a trustee for the Charity Open Hands, which you can find out more about by going here. You may also recognize her from a few projects we've done together (see here and here). Grab yourself a cuppa and let's dive in, shall we?
1. If we were
really able to have this conversation in a coffee shop, what would you be
drinking? Are you a coffee or tea person (or both)?
I actually enjoy
drinking coffee more than tea- preferably
nice and strong with a little bit of milk.
2. What are three
words that describe you and your style?
Oh, that’s a
difficult question. Maybe direct, enthusiastic and diverse.
3. Tell us a little bit about what you make/do and what led you to choose this path.
I actually paint
or draw mainly (mixed media) and create woven articles. I’m a Visual Arts student and am currently working on a collection of portraits of individuals
living with poverty (mainly ink drawings). Through this I focus on looking into
the faces of these individuals, and noticing that real people are hiding behind
the label “poor”. I weave the frames for
these portraits (using Macrame techniques), because I’m interested in the art
of handcrafts and the process of working with our
hands, which in our performance driven system is loosing it’s value. I see a
connection between unemployment and humiliation on one side and mass production
on the other. I've been to Romania several times with the charity Open Hands and
there you meet many people who were once able to make a living through their
independently produced items and crafts.
Art has always
spoken to me in a particular way, but I never thought that I would ever study art or that I’d go so far on this adventure. My first degree was in Germanistik
(German Studies) and History and when I completed it, I didn’t really know what
I should do next, as it somehow wasn’t really for me- I was never 100% behind
it. My husband and I then spend a year in Spain, hoping to figure out what we
wanted. While there, I started drawing a lot. I often saw people sitting on the
street doing Macrame, and finally learned myself. It’s a thousand year old
weaving technique that originally comes from Arabia.
I am really glad
that I found this new path, even though there were difficulties along the way, as I was never
sure who I was and what I wanted to do with my life.
4. Where do you go for inspiration?
I’m often
inspired when I see the work of my fellow students: it’s fascinating to see how
each person has a different approach and to see the different personalities that
art speaks through. Apart from that, I’m inspired by the “typical” things like
books, politics and music, and also good conversation.
5. What's one of
the biggest challenges of being a creative?
Self-doubt is
definitely the big challenge, but it’s also a challenge to commit yourself to what you make and
not to compare yourself with others. This isn’t always easy. Because I haven’t
been studying art for very long, I often put a lot of pressure on myself,
instead of valuing the things I make.
6. Can you
describe your creative process or daily routine for us?
I wish I had more
routine, but because I am still studying (and working on the side), every day
is different. However, I do have specific days in the week that I’ve reserved for my
projects. When I’m then inspired, I can’t stop thinking about my ideas and
projects. It’s like the idea is planted in my head and I work on it until I’m
finished, staying awake long hours and getting up again early the next morning,
forgetting to eat. There is a strong
drive within me to move forward with the project. I stop speaking about
anything else- which is something I regret for my husband’s sake. It’s very
intense, but it’s totally fun. Multitasking is simply not my strong point.
7. Where do you
most like to create or make?
At home, at my
desk with music and lots of coffee. I can’t just paint on the side- I have to
really concentrate, and am then in my own world, which I do leave again at
some point.
Recently, I’ve
also rediscovered working in my studio space (that has been made available for me
to use from my University). I can concentrate on my work there, and I like the
atmosphere, since I share the room with seven other students, and all the
students in my program have a studio space somewhere in the building. It’s
really interesting to see what others are working on and you’re always meeting
someone that you can discuss your work with, and receive feedback from.
8. What are you
currently working on? Anything new/exciting coming up?
Yes, something
very exciting: I’m in the middle of putting together my new brand Ink+Soil,
through which I’ll sell my Macrame products and art. I’ve been weaving
bracelets and earrings to sell for awhile. The proceeds are donated to Open
Hands, and since it’s been going quite well, I’ve decided in 2015 to pursue it
a bit more professionally, and to organize all of my products together under
one brand. This work is very exciting for me and I hope that I can contribute
to Open Hands so that we can make a bigger difference and keep fighting
poverty.
In addition to
this, I’m currently working on creating a poster displaying seasonal vegetables. I realized, that I often don’t exactly know which vegetables grow
in which seasons, and so I though that I could create something practical, to
hang in the kitchen later. I’ve finished sketching and now want to start the
Lithography process. (a flat printing process: the sketch is drawn on a stone,
that is then used to print) If it works out, I’m also hoping to
add the poster to my shop to sell.
Thank you so much Mone for taking the time to chat with us today! Don't forget to stop by her Facebook page & new blog, where she'll be sharing updates as she continues to build her label and online presence. If you would like to find out more about the work of Open Hands, you can sign up for their newsletter here.
Please note: this interview has been translated from German by me and all the photos were provided by Simone Welbrock
Her work is beautiful!
ReplyDeleteLoved this, her work is so interesting and diverse!
ReplyDelete